Charleston Music Hall

Corinne Bailey Rae: The Black Rainbows Tour $35 - $55 English singer/songwriter/musician Corinne Bailey Rae shot to stardom with her self- titled #1 U.K. debut album in 2006, featuring the global hits “Put Your Records On” and “Like A Star.” Over the course of her career she has released three critically acclaimed studio albums—Corinne Bailey Rae, The Sea and The Heart Speaks in Whispers—and earned two Grammy Awards, two MOBOS, and has been nominated for multiple awards including the BRIT Awards, Mercury Music Prize and BET Awards. Her work for film and television includes the theme to Stan Lee’s Lucky Man (SKY1), “The Scientist” for Universal Pictures’ Fifty Shades Darker opening title and soundtrack which charted globally, and in 2020 her song “New to Me” was performed in the film The High Note by Tracee Ellis Ross. Bailey Rae has collaborated with a wide range of artists including Mary J. Blige, Al Green, Herbie Hancock, KING, Paul McCartney, Kele Okereke (Bloc Party), Preservation Hall Jazz Band, Questlove, Salaam Rami, RZA, Tyler The Creator, Paul Weller, Richard Hawley, Stevie Wonder, Tracey Thorn, Pharrell, Logic, Mick Jenkins and many more.

The Junction Kitchen & Provisions

September Book Club: House of Cotton 6:15 p.m. | Meet-and-greet 6:30 p.m. dinner & discussion | The Junction 3-course dinner from The Junction | $65 (includes drink pairings, tax, and tip) Join us at The Junction to discuss House of Cotton by Monica Brashears! Attendees must purchase a dinner ticket to attend; there are 35 spots for each night available for in-person seating. Every month we gather to discuss the book over an original, three-course meal with drink pairings inspired by the book. Purchase your dinner ticket to let us know you'll be coming! Find a copy from the bookstore Hardcover | $27.99 Audiobook | $31.04 or Libro.fm subscription Get Let Book Club Subscription Box: $35/month | includes the book of the month and other thematic goodies! The Fine Print Special diet add-on: If you have any sort of dietary restriction, please include the special diet add-on with your ticket. The base meal is prepared vegetarian, so if you have any further dietary needs (especially allergies!), please contact the Junction directly at [email protected]. Refund policy: Refunds will be granted up to the Sunday before the event. After this time, the Junction has begun preparation for the dinner and cannot grant refunds for the costs. Credits may be given on a case-by-case basis. Transfer policy: Attendees can transfer their Tuesday night ticket to Wednesday night or vice versa if scheduling conflicts arise. If a transfer occurs within 12 hours of the event, please reach out to Itinerant Literate at [email protected] or (843) 225-6569 to notify organizers of the change. About the Book: Find content warnings & reader reviews on StoryGraph! “Every page, every scene, every sentence of Monica Brashears’s debut novel House of Cotton dazzles and surprises. An intense, enthralling, and deeply satisfying read!” —Deesha Philyaw, author of The Secret Lives of Church Ladies Magnolia Brown is nineteen years old, broke, and effectively an orphan. She feels stuck and haunted: by her overdrawn bank account, her predatory landlord, and the ghost of her late grandmother Mama Brown. One night, while working at her dead-end gas station job, a mysterious, slick stranger named Cotton walks in and offers to turn Magnolia’s luck around with a lucrative “modeling” job at his family’s funeral home. She accepts. But despite things looking up, Magnolia’s problems fatten along with her wallet. When Cotton’s requests become increasingly weird, Magnolia discovers there’s a lot more at stake than just her rent. Sharp as a belted knife, this sly social commentary cuts straight to the bone. House of Cotton will keep you mesmerized until the very last page.

The Refinery Charleston

The Refinery continues hosting concerts this summer at their outdoor music amphitheater - Yonder Mountain String Band, Railroad Earth and Keller & The Keels – September 21st

Charleston Music Hall

City and Colour Mon . Sep 18 , 2023 DOORS: 7:00PM / SHOW: 8:00PM $41 - $61 Tragedy has a way of bringing out the best in songwriters. That’s certainly the case for Dallas Green on The Love Still Held Me Near, his seventh studio album under the moniker City and Colour. The 12-track set, arguably the most sonically aggressive and stylistically expansive outing in the City and Colour canon, comes from what Green has acknowledged as the most difficult time in his life. Within the span of a year, he lost two crucial figures – his cousin Nicholas Osczcypko, with whom he played in his first band, and longtime friend, City and Colour producer and engineer Karl Bareham, whose drowning death in Australia while on tour was the direct impetus for The Love Still Held Me Near’s first single, “Meant to Be”. At the time Green was also separated from his wife of (then) 11 years and felt their marriage was “seemingly over.” Green feels those inspirations were vehicles to push The Love Still Held Me Near in its own direction of exploration and discovery. “It’s not specifically about those events,” he says of the album, which was co-produced with longtime band member and multi-instrumentalist Matt Kelly. “It’s just an overarching theme of loss and the idea of trying to get through it.” Though he adds with a small chuckle that “it was like I was having this beautiful, perfect mid-life crisis,” the deeper purpose of the album is “asking good questions about life and then framing it in a way that anyone can find themselves in it. I know the experience I’m writing about on this album is not singular at all; it’s everything we have to deal with as human beings, trying to live and get through it.” The Love Still Held Me Near certainly takes that trip from the emotional depths through the other side and finding a way to, as the closing track says, “Begin Again”. Throughout the album, Green questions the very core of his beliefs, spiritual and otherwise, and in the title track he wonders whether true healing is even possible. He ultimately concludes that it is. Even when he acknowledges that “hope is hanging by a thread” Green sings, “I know the beauty lies in dawn’s early light” and that “it ain’t enough just to be alive/we gotta lean into the love a little before we die.” This is conveyed amidst a soundscape that dresses up the angst, tribulation and catharsis in sophisticated instrumental textures, ranging from waves of ambience to explosions of guitar-driven noise, with a wide array of touchstones in between. “It was all about the love of things,” Green explains. “I had gone through the most negative, terrible aspect of living, and it was the idea that the positive and the love could still keep me, us, and my friends together. I like to write. It’s what I do when I just need to get something off my chest. It makes me feel better.” Hailing from St. Catharines, Ontario, Green started City and Colour in 2005 as a (then) quiet counter to the band he co-founded, hardcore luminaries Alexisonfire, releasing songs via the Internet. They proved so popular with fans that he released City and Colour’s first album,Sometimes, later that year which won the JUNO Award for Alternative Album of the Year. He has since released five more albums under the moniker, accompanied by a shifting lineup of musicians, and collected 4 JUNO awards, including two Songwriter of the Year awards, plus 1 Triple Platinum, 2 Double Platinum, 6 Platinum, and 1 Gold certification in Canada, and 1 Gold certification in Australia. In 2022, Green was honoured with the SOCAN National Achievement Award in recognition of his philanthropic contributions to music education in Canada. Beyond the legacy of City and Colour, Green teamed up with global icon Alecia Moore (a.k.a. P!nk) to form the folk duo You+Me. The duo’s acclaimed Platinum-certified first record, rose ave., debuted at #4 on the U.S. Top 200 Chart, #1 in Canada, #2 in Australia. Despite that productivity and work ethic, Green went through a dark and also fallow period before The Love Still Held Me Near got on track. Already laid low by the deaths and marital impasse (he and his wife reconciled in the wake of Bareham’s passing), Green concluded a tour on February 29, 2020 and then was hit hard, like so many of his creative colleagues, by the global pandemic that brought the music industry to an abrupt and frightening halt. “I wasn’t really thinking about making music at all,” he recalls. “It was such a strange time for all of us, trying to wrap our heads around what was going on. I spent that spring and summer of 2020 just really trying to dig in and figure out what was going on in my life and who I was and why I had spent my whole life doing this thing that might be gone.” Green was also turning 40 on September 29 of that year, which led to “a crisis of character and contemplation.” Some consolation came via visits from Kelly at Green’s home in Northern Ontario. The two had “a lot of conversations, basically grieving with one another” over Bareham’s death and other issues. “It began the process of trying to figure out what had just happened in 2019,” Green says, “I really started to find the spark again, and then started writing.” The timing coincided with Green regrouping with Alexisonfire during the early stages of the pandemic shutdown to make their first full-length studio album in 13 years, Otherness. Green found himself going from writing nothing to working on material for two contrasting but fulfilling projects. “I’d always joked that if I made music as much as I thought about making music I would have twice as much as I already have,” Green says. “September 2020 to May 2021 was the most creatively explosive period I’ve ever had in my life. In seven months, I wrote and recorded two records, comprising of 22 songs. Quite a ‘comeback’.” During that time, he also recorded and released a two song EP, Low Songs, featuring the tracks “Murderer” and “Sunflower” from one of his longtime favourite bands, Low. Though intensely personal, recording The Love Still Held Me Near was a collective and collaborative process. Recorded at Jukasa Studios in Caledonia, Ontario, Green and Kelly brought together a band of Canadian session stalwarts that included John Sponarski on guitar, Erik Nielsen on bass and Leon Power on drums. “The dudes who played on this record are a unit and have this hidden language like I have with Alexisonfire,” Green notes. “And they’ve known me a long time. They all understood the pain and what these songs are about. They understood me. They understood the way I work, the way I use music to get myself through whatever was going on in my life at the time. And they knew Karl, too, so we were all sort of supporting each other through it.” Mixed by longtime collaborator, and three-time Grammy-winner Jacquire King (Kings of Leon, Norah Jones, Tom Waits, Modest Mouse, Shania Twain and others), the album features Green’s voice louder than ever before, supported by arrangements that are at once delicate and nuanced but also enormously powerful. “Meant to Be”, for instance, blends acoustic and electric instruments in a sweeping build, while you can hear fingers on strings and necks of guitars during “Fucked it Up”. On songs such as “Bow Down to Love”, “A Little Mercy”, “The Water is Coming”, and the title track, you could swear that Neil Young and Crazy Horse somehow snuck into the City and Colour sessions. With The Love Still Held Me Near, wrapped and ready to come out, Green is, not surprisingly, ready to get this incarnation of City and Colour out on the road to play the songs. Green affirms, “Something I’ve figured out after two decades of doing this is I’m invigorated working with new people and coming up with our own versions of the old songs. We had such a great time in the studio making this record, so even though it will be tough to live through the pain (of the songs) again, I can’t wait to finally be playing with everyone.” That’s the testament of a man who’s faced down challenging times the only way he knows how – with guitar in hand, lyrics on the page and musical comrades at his side. Green’s conviction has been renewed, and rewarded, on The Love Still Held Me Near, and in doing so he’s helped to bolster ours as well.

The Riviera Theater

Gratitude Revealed" Screening at The Riviera Theater Gather in gratitude for a special screening from acclaimed filmmaker, Louie Schwartzberg. DEEPEN YOUR CONNECTION WITH GRATITUDE Come and be part of the celebration of World Gratitude Day at The Riviera Theater. Enjoy a free screening of "Gratitude Revealed" with us. Seating follows a first-come, first-served basis, and admission tickets are on the house. An epic journey forty years in the making, "Gratitude Revealed" from acclaimed filmmaker, Louie Schwartzberg, the director of Fantastic Fungi, takes us on a transformational, cinematic experience of how to live a more meaningful life full of gratitude through his intimate conversations with everyday people, thought leaders, and personalities revealing gratitude is a proven pathway back from the disconnection we feel in our lives; disconnection from ourselves, our planet, and each other.